The future of art

Hisako Kobayashi grew up in Tokyo before moving to New York City in 1981 to earn a Master of Fine Arts at Pratt Institute. An abstract painter, she has since exhibited her work on five continents over a span of three decades. Upon observation, her works clearly and openly illustrate a maternal devotion to her native Japan while at once embracing the essence of her newfound Western sensibilities. 

Art critic Donald Kuspit has authored this on her work, "Kobayashi's paintings exemplify the romantic idea that 'it...

Frank Oscar Lind III was born in Woonsocket, Rhode Island, and grew up in the adjoining town of Cumberland. The eldest of eight children, he watched the fields and farms of his home town change to suburbs and city. He was able to make a studio in the basement of his childhood home, and early inspirations ranged from Michelangelo to science fiction illustration.

Lind attended Georgetown University in Washington DC, receiving a BA in Fine Arts in 1970. He moved to New York City in...

Ann Strassman is an American figurative painter working in Boston. Antiques and the Arts Weekly vividly describes her style as “expressive realism” that “evolves from an unforgiving eye which she has developed through experience. Through the use of exaggerated brushwork and dramatic tones she creates psychological tension. The vocabulary may well be German Expressionism and London school, but the vision is all her own.” 

Such compelling thought exercises led Strassman to the School of the Museum of Fine Arts in Boston, where she developed the skills...

Steve Simmons began his journey as a sculptor in the 1990s. Building upon a creative foundation inherited from his parents, who were both accomplished painters, Steve developed a style that breathes  Learn more

Born in Mexico, Duarte’s work is rooted in history both collective and personal, his own, he intertwines experiences of modern life with collective ones rooted in myth and history through the lens of his own Mexican culture. Despite the seemingly cultural specific themes he touches on, the experiences he brings are universal because he sees Mexican history, no different than Roman or Japanese - it belongs to all of us and within each story, each culturally specific narrative, we find the collective experience that binds us all. The narratives we tell ourselves across the world, whether it’s...