The future of art

Khara Oxier-Mori is an Idaho-based artist whose primary focus is the human body. Oxier-Mori attended Boise State University after receiving an honorable discharge from the United States Marine Corps. In 2016, she earned her degree in anthropology with a concentration in genetics, evolutionary medicine, and osteology. Her life experiences are her chief artistic inspiration, but she credits the deconstructionist theories of Derrida and Foucault for her relentless pursuit and examination of human power dynamics. 

Learn more

Artist and photographer David Gamble was born in East London and grew up primarily in the countryside near Cambridge. After drumming in Cambridge rock bands in the 1970s, he attended the famous Ealing Art College in London. Prior students include musicians Freddie Mercury, Pete Townshend, and Ronnie Wood. Gamble found a passion not only for painting but narrative figurative photography. In 1987, Gamble went on to photograph one of his most notable projects, Andy Warhol House, East 66th St, NYC.

In 1984, he began photographing for national and international publications, including...

Steve Simmons began his journey as a sculptor in the 1990s. Building upon a creative foundation inherited from his parents, who were both accomplished painters, Steve developed a style that breathes  Learn more

Roman Kriheli’s paintings draw on the rich heritage of the Renaissance and the Old Masters. He reinterprets the artistic traditions of the West to create unique imagery that merges the old with the new. Drawing inspiration from the world around him and finding the hidden significance imbued in everyday objects, humanity, and its creations, Kriheli explores themes of beauty, mysticism, and spirituality. He confronts head-on the most difficult questions about life, death, and what lies outside human knowledge. Ever elusive and much sought after by collectors around the world, Kriheli has remained true to his singular yet eclectic vision of...

Ann Strassman is an American figurative painter working in Boston. Antiques and the Arts Weekly vividly describes her style as “expressive realism” that “evolves from an unforgiving eye which she has developed through experience. Through the use of exaggerated brushwork and dramatic tones she creates psychological tension. The vocabulary may well be German Expressionism and London school, but the vision is all her own.” 

Such compelling thought exercises led Strassman to the School of the Museum of Fine Arts in Boston, where she developed the skills...