The future of art
Recent works
Steve Simmons began his journey as a sculptor in the 1990s. Building upon a creative foundation inherited from his parents, who were both accomplished painters, Steve developed a style that breathes Learn more
Michael Carson is a Arizona-based painter and a graduate of the Minneapolis College of Art and Design. His work can be found in private and corporate collections across the world. Carson’s artistic vision centers on exploring the dynamic relationships of color and light, guiding the viewer’s eye through each composition with the deliberate texture and movement of his brushstrokes.
Carson’s artwork is valued not only for its technical mastery but also for its ability to evoke emotion and transform the spaces it inhabits. Collectors appreciate the depth, sophistication, and timeless...
Originally from Long Island, Christopher Volpe is an artist, writer, and teacher working and living in New Hampshire. His paintings in tar and gold leaf reference mortality, mysticism, and concern for the fate of a world buying and spending its way toward uninhabitability.
His work is collected internationally and held in the permanent collections of the New Bedford Whaling Museum, the Whistler House Museum, Smith College, Ege University (Turkey) and the University of New Hampshire. Grants and awards include the Saint Botolph...
Born in 1952 in the Kingdom of Bahrain, Rashid Al Khalifa held his first solo exhibition at the Dilmun Hotel, Bahrain in 1970, when he was just 16 years old, and then moved to the United Kingdom in 1972 to study at the Hastings College of Arts and Technology in Sussex. After returning to Bahrain in 1978, inspired by Europe’s great Impressionist masters, he began his own renditions of his country’s landscapes, producing a series of atmospheric paintings of desert, sea, and historical sites. These works were first presented at...
Ann Strassman is an American figurative painter working in Boston. Antiques and the Arts Weekly vividly describes her style as “expressive realism” that “evolves from an unforgiving eye which she has developed through experience. Through the use of exaggerated brushwork and dramatic tones she creates psychological tension. The vocabulary may well be German Expressionism and London school, but the vision is all her own.”
Such compelling thought exercises led Strassman to the School of the Museum of Fine Arts in Boston, where she developed the skills...
Gallery News
