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Born in 1952 in the Kingdom of Bahrain, Rashid Al Khalifa held his first solo exhibition at the Dilmun Hotel, Bahrain in 1970, when he was just 16 years old, and then moved to the United Kingdom in 1972 to study at the Hastings College of Arts and Technology in Sussex. After returning to Bahrain in 1978, inspired by Europe’s great Impressionist masters, he began his own renditions of his country’s landscapes, producing a series of atmospheric paintings of desert, sea, and historical sites. These works were first presented at...
Originally from Long Island, Christopher Volpe is an artist, writer, and teacher working and living in New Hampshire. His paintings in tar and gold leaf reference mortality, mysticism, and concern for the fate of a world buying and spending its way toward uninhabitability.
His work is collected internationally and held in the permanent collections of the New Bedford...
Mark Tennant’s paintings are renowned for their uncanny ability to capture small details of light and movement. Most of Tennant’s works are lit with a bright flash, giving the sense that his young subjects are the unsuspecting subjects of late-night Polaroid snapshots. His works are informed by the painting techniques of the Impressionists Édouard Manet and Pierre-Auguste Renoir. Tennant has taught museum copying at the Louvre and at the Metropolitan Museum of Art. His captivating paintings have been exhibited numerous times in the Salon d’Automne in Paris and reside...
Todd Williamson is a contemporary painter based in Los Angeles. His work is strongly influenced by mid-20th century American Abstract Expressionism. Williamson's paintings are characterized by their strict observance to geometry, enlisting parallel formations that reflect a formal consideration of light, color, and shape. Using a refined process of building and removing multiple layers of oil on canvas, his works employ both complementary hues and opposing values, focusing on subtle layers of color and movement.
Ann Strassman is an American figurative painter working in Boston. Antiques and the Arts Weekly vividly describes her style as “expressive realism” that “evolves from an unforgiving eye which she has developed through experience. Through the use of exaggerated brushwork and dramatic tones she creates psychological tension. The vocabulary may well be German Expressionism and London school, but the vision is all her own.”
Such compelling thought exercises led Strassman to the School of the Museum of Fine Arts in Boston, where she developed the skills...
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