The future of art

Born in 1952 in the Kingdom of Bahrain, Rashid Al Khalifa held his first solo exhibition at the Dilmun Hotel, Bahrain in 1970, when he was just 16 years old, and then moved to the United Kingdom in 1972 to study at the Hastings College of Arts and Technology in Sussex. After returning to Bahrain in 1978, inspired by Europe’s great Impressionist masters, he began his own renditions of his country’s landscapes, producing a series of atmospheric paintings of desert, sea, and historical sites. These works were first presented at...

Frank Oscar Lind III was born in Woonsocket, Rhode Island, and grew up in the adjoining town of Cumberland. The eldest of eight children, he watched the fields and farms of his home town change to suburbs and city. He was able to make a studio in the basement of his childhood home, and early inspirations ranged from Michelangelo to science fiction illustration.

Lind attended Georgetown University in Washington DC, receiving a BA in Fine Arts in 1970. He moved to New York City in...

Khara Oxier-Mori is an Idaho-based artist whose primary focus is the human body. Oxier-Mori attended Boise State University after receiving an honorable discharge from the United States Marine Corps. In 2016, she earned her degree in anthropology with a concentration in genetics, evolutionary medicine, and osteology. Her life experiences are her chief artistic inspiration, but she credits the deconstructionist theories of Derrida and Foucault for her relentless pursuit and examination of human power dynamics. 

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Khara Oxier-Mori is an Idaho-based artist whose primary focus is the human body. Oxier-Mori attended Boise State University after receiving an honorable discharge from the United States Marine Corps. In 2016, she earned her degree in anthropology with a concentration in genetics, evolutionary medicine, and osteology. Her life experiences are her chief artistic inspiration, but she credits the deconstructionist theories of Derrida and Foucault for her relentless pursuit and examination of human power dynamics. 

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Born in Mexico, Duarte’s work is rooted in history both collective and personal, his own, he intertwines experiences of modern life with collective ones rooted in myth and history through the lens of his own Mexican culture. Despite the seemingly cultural specific themes he touches on, the experiences he brings are universal because he sees Mexican history, no different than Roman or Japanese - it belongs to all of us and within each story, each culturally specific narrative, we find the collective experience that binds us all. The narratives we tell ourselves across the world, whether it’s...