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Rasim Babayev was an iconic figure in post-Soviet art and a pioneer of the Azerbaijani Avant-Garde movement. Although predominantly focused on painting, Babayev expressed his vision in sculpture, on monumental murals and mosaic panels, on painted ceramics, and work in papier-mâché. Using the language of metaphor to create symbolism—reality knotted with fiction—the ancient Persian false god Div, or Daeva, was a significant muse, depicted in a large portion of his works. As a fictional creature from folklore, he considered it to be a personification of human nature.
Ann Strassman is an American figurative painter working in Boston. Antiques and the Arts Weekly vividly describes her style as “expressive realism” that “evolves from an unforgiving eye which she has developed through experience. Through the use of exaggerated brushwork and dramatic tones she creates psychological tension. The vocabulary may well be German Expressionism and London school, but the vision is all her own.”
Such compelling thought exercises led Strassman to the School of the Museum of Fine Arts in Boston, where she developed the skills...
Steve Simmons began his journey as a sculptor in the 1990s. Building upon a creative foundation inherited from his parents, who were both accomplished painters, Steve developed a style that breathes
Born in 1952 in the Kingdom of Bahrain, Rashid Al Khalifa held his first solo exhibition at the Dilmun Hotel, Bahrain in 1970, when he was just 16 years old, and then moved to the United Kingdom in 1972 to study at the Hastings College of Arts and Technology in Sussex. After returning to Bahrain in 1978, inspired by Europe’s great Impressionist masters, he began his own renditions of his country’s landscapes, producing a series of atmospheric paintings of desert, sea, and historical sites. These works were first presented at...
Ann Strassman is an American figurative painter working in Boston. Antiques and the Arts Weekly vividly describes her style as “expressive realism” that “evolves from an unforgiving eye which she has developed through experience. Through the use of exaggerated brushwork and dramatic tones she creates psychological tension. The vocabulary may well be German Expressionism and London school, but the vision is all her own.”
Such compelling thought exercises led Strassman to the School of the Museum of Fine Arts in Boston, where she developed the skills...
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