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Ann Strassman is an American figurative painter working in Boston. Antiques and the Arts Weekly vividly describes her style as “expressive realism” that “evolves from an unforgiving eye which she has developed through experience. Through the use of exaggerated brushwork and dramatic tones she creates psychological tension. The vocabulary may well be German Expressionism and London school, but the vision is all her own.”
Such compelling thought exercises led Strassman to the School of the Museum of Fine Arts in Boston, where she developed the skills...
Wonsook Kim arrived in America in 1972 and has since cultivated her practice of embracing a variety of media that includes painting, drawing, printmaking, and sculpture. In her opinion, her artwork resembles prose and is suggestive of poetic entries in a symbolist or surrealist diary. It is through these virtual transcriptions that she engages her audience in mythmaking, storytelling, and folklore. A master of line, Kim complements her delicate imagery with composition and the observance of light. Figures and ground are thus often...
Hisako Kobayashi grew up in Tokyo before moving to New York City in 1981 to earn a Master of Fine Arts at Pratt Institute. An abstract painter, she has since exhibited her work on five continents over a span of three decades. Upon observation, her works clearly and openly illustrate a maternal devotion to her native Japan while at once embracing the essence of her newfound Western sensibilities.
Art critic Donald Kuspit has authored this on her work, "Kobayashi's paintings exemplify the romantic idea that 'it...
Rasim Babayev was an iconic figure in post-Soviet art and a pioneer of the Azerbaijani Avant-Garde movement. Although predominantly focused on painting, Babayev expressed his vision in sculpture, on monumental murals and mosaic panels, on painted ceramics, and work in papier-mâché. Using the language of metaphor to create symbolism—reality knotted with fiction—the ancient Persian false god Div, or Daeva, was a significant muse, depicted in a large portion of his works. As a fictional creature from folklore, he considered it to be a personification of human nature.
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